Tag: YouTube creator

  • I Didn’t Know How to Do Any of This, So I Learned

    I Didn’t Know How to Do Any of This, So I Learned

    A few weeks ago, I had no idea how to make a one-hour lo-fi video.

    I didn’t know how to create music for one, how to turn a single image into an atmospheric world, or how people made those cozy videos you leave playing in the background while you work, read, clean, or stare at your computer pretending you’re definitely being productive.

    I definitely didn’t know how to distribute music to Spotify or Apple Music.

    And yet, somehow, this week I submitted the first After Hours Dreamer soundtrack for distribution.

    That sentence is still a little weird to type.

    Not because I suddenly became an expert. I absolutely did not. šŸ˜‚

    I just kept running into things I didn’t know how to do and deciding to learn them anyway.

    The Dream Keeps Teaching Me New Things

    When I started The After Hours Dreamer, I thought I was building a creative business.

    I was thinking about books, printables, blogging, Pinterest, affiliate marketing, and all the other pieces I had been slowly putting together after work.

    I didn’t realize how much the business itself was going to teach me.

    Every new idea seems to come with a new skill attached to it.

    Want to publish a book? Learn KDP.

    Want a website? Learn WordPress.

    Want people to actually find the website? Learn Pinterest and SEO.

    Want to make immersive lo-fi worlds? Apparently now we’re learning music production, video editing, thumbnails, YouTube analytics, and audio distribution too.

    There is always another button I don’t understand.

    And apparently I’m going to click it. šŸ˜‚

    Then I Fell Down the Lo-Fi Rabbit Hole

    YouTube wasn’t originally supposed to become this big part of The After Hours Dreamer.

    I had an old channel sitting there doing absolutely nothing, and I started wondering what would happen if I used it for lo-fi and ambience videos.

    That was basically the entire plan.

    There was no elaborate strategy. No secret knowledge of the algorithm. No expensive production setup.

    Just another one of those I wonder if I could do that thoughts that tend to get me into trouble.

    So I started learning.

    I figured out how to create the music. Then how to build the visuals. Then how to animate them. Then how to edit everything together into hour-long and two-hour videos.

    And somewhere in the middle of figuring out file formats, timestamps, thumbnails, titles, watch time, click-through rates, and why YouTube Studio contains approximately seventeen thousand numbers for me to obsess over, something changed.

    I stopped feeling like I was just making videos.

    I was building worlds.

    Ciderleaf Hollow became more than the setting of a coloring book. Midnight Intuitions could become an apothecary after dark. A medieval inn could sit beneath moonlight while the village slept. A neon city could keep glowing long after everyone else had gone home.

    Music gave those places another way to exist.

    And honestly?

    I was having fun.

    A lot of fun.

    That matters more than I realized.

    One Idea Started Connecting to Another

    This is probably my favorite part of building The After Hours Dreamer.

    Nothing seems to stay in one little box.

    A book can inspire a video. A video can inspire music. Music can turn into a soundtrack. A fictional town can become a place we return to again and again.

    And that is exactly what happened with Ciderleaf Hollow.

    One night, I created The Haunted Inn of Ciderleaf Hollow, a cozy Halloween lo-fi world filled with rain, pumpkins, warm windows, a mysterious Room 13, footsteps on the staircase, and the kind of inn where you probably shouldn’t ask too many questions about the guest who never left.

    You know. Cozy. šŸ˜‚

    I created six instrumental tracks for that world.

    And then another thought showed up:

    What if I released the soundtrack?

    From a YouTube Video to a Real Soundtrack

    Once I had the six tracks together, releasing them started sounding less ridiculous.

    I already had the music.

    I had the world.

    I had the artwork.

    I had a name for the soundtrack.

    What I did not have was the slightest clue how to put music on Spotify, Apple Music, Amazon Music, or any of the other places people actually listen to music.

    So, naturally, I opened another tab.

    That tab led me to DistroKid.

    And then came the glamorous part of building your own creative business:

    forms.

    So many forms. šŸ˜‚

    Artist names. Genres. Subgenres. Songwriter information. Producer credits. AI disclosures. Release dates. Store selections.

    There were several moments when I had absolutely no idea what a field wanted from me. And because the music was created using AI tools, I wanted to make sure I was answering those questions correctly rather than clicking whatever sounded close enough.

    So I asked questions. I contacted support. I kept screenshots. I read the answers. I corrected things when I needed to.

    And eventually, I reached the screen I had been working toward:

    The Haunted Inn of Ciderleaf Hollow had been submitted for distribution.

    Six songs.

    One little fictional haunted inn.

    And a release date of October 16, 2026.

    What started as an idea for a cozy Halloween YouTube video was suddenly on its way to becoming the first official After Hours Dreamer streaming release.

    I genuinely did not see that coming.

    Not Knowing How Is Not the Same as Not Being Able To

    I think this is the part I want to remember.

    There are so many things I haven’t tried because my first thought was, I don’t know how to do that.

    And technically, that thought was usually correct.

    I didn’t know how.

    But somewhere along the way, I started adding one tiny word to the end of that sentence:

    Yet.

    I don’t know how to do that yet.

    That doesn’t mean every experiment will work. It doesn’t mean every book will sell, every video will get views, or every song will find an audience.

    It just means I’m not going to let not knowing make the decision for me.

    The After Hours Dreamer is still being built after work, one finished thing at a time.

    Apparently, sometimes that finished thing is a book.

    Sometimes it’s a video.

    And sometimes it’s six songs from a haunted little inn that didn’t exist until I decided to build it.

    The day job pays for the dream. The dream keeps teaching me what I’m capable of learning.

    And I think that might be my favorite part of this whole thing.

    The Haunted Inn of Ciderleaf Hollow arrives on streaming platforms October 16, 2026. I’ll add the listening links here when the doors officially open. šŸ‘»šŸ‚

  • I Kept Thinking I Was Starting Over. I Was Actually Getting Better.

    I Kept Thinking I Was Starting Over. I Was Actually Getting Better.

    A couple of days ago, I was looking through some of the things I’ve created over the last few months, and I realized something.

    I have spent a lot of my life thinking I was starting over.

    Another idea. Another project. Another platform. Another attempt at figuring out what the hell I’m actually trying to build.

    But lately, I’ve been looking backward instead of just looking at whatever I’m working on next.

    And I don’t think I was starting over at all.

    I was getting better.

    The proof is everywhere now.

    It’s in the difference between the first books I made and the books I’m making now. It’s in an old lo-fi YouTube channel I once tried to build and the new one I’m creating today. It’s in the blog you’re reading right now. It’s even hiding in forgotten accounts and tiny commissions that once felt completely disconnected from everything else.

    Apparently, all those random things I kept trying weren’t as random as I thought.

    The First Version Wasn’t the Final Version

    One of the easiest places for me to see this growth is in my books.

    When I started creating Finny the Fox, I was mostly focused on one thing: finishing the book.

    I was learning KDP, figuring out formatting, creating illustrations, fixing margins, understanding covers, dealing with print requirements, and discovering approximately 847 different ways a book file can decide to ruin your evening.

    And I finished it.

    At the time, that was the win.

    But the more I created, the more I started noticing things I wanted to improve. The illustrations could be more consistent. The characters needed a recognizable style. The pages could feel more polished. The whole thing could look less like my first attempt and more like the world I had actually imagined in my head.

    So I went back.

    Finny got rebuilt. Rosie became consistently Rosie. The characters became more expressive. The environments got richer. The books started feeling like they actually belonged to the same little world.

    The difference between those early pages and what I’m creating now is honestly kind of wild.

    And here’s the part I would’ve missed if I hadn’t looked backward:

    The first version wasn’t wasted work. It taught me how to make the second version better.

    I couldn’t have made the improved version without making the imperfect one first.

    Early versions of Finny the Fox Finds Fall and Finny the Fox Finds Winter children's books by C.D. Brooks
    Finny the Fox before
    Updated Finny the Fox Finds Fall and Finny the Fox Finds Winter children's books by C.D. Brooks
    Finny the Fox After

    From Fighting With One Book to Publishing Three in One Day

    Here’s another way I know something changed.

    Not that long ago, getting one book through the entire process felt like a major event.

    There were files to fix. Covers to resize. Margins to argue with. KDP warnings that made me question every decision I’d ever made. And every time I thought I had finally figured it out, something else seemed to pop up.

    Then, this month, I published three coloring books in one day.

    Midnight Intuitions. Neon Horizons. Somewhere I’ve Never Been.

    Three completely different worlds. Three finished books. One day.

    I don’t say that because I suddenly became some kind of publishing wizard. I still screw things up. I still have to go back and fix things. And apparently I edit things enough that WordPress literally gave me a ā€œPerfectionistā€ achievement this morning. šŸ˜‚

    The difference is that things that once stopped me are becoming things I know how to solve.

    And the really weird part?

    I looked at my KDP dashboard this morning and realized I now have nine books in my account.

    Nine.

    I started this current publishing journey at the end of July. As of this morning, my estimated royalties since July 26 are $49.53.

    Am I retiring on $49.53? Absolutely not. šŸ˜‚

    But that’s not really the point.

    A couple of months ago, there were no nine books. There wasn’t almost $50 in book royalties. There wasn’t a publishing process I understood well enough to repeat.

    There was just me trying to figure out how to get the first damn thing finished.

    Small numbers look very different when you remember they used to be zero.

    September 23, 2026: nine books and $49.53 in estimated royalties since July 26. Not an empire. Definitely not zero.

    Apparently, I Didn’t Quit Lo-Fi Either

    Long before The After Hours Dreamer Lo-Fi existed, I had another YouTube channel called The Lo-Fi Vibe Cafe.

    I made videos. I experimented with cozy scenes and background music. I tried to figure out YouTube. And eventually, like several other things I’ve tried over the years, I stopped working on it.

    For a long time, I would’ve filed that under another thing I started and didn’t finish.

    Except apparently… I wasn’t finished with it.

    Because here I am again.

    Only this time, I’m not just making random lo-fi videos.

    I’m building music and ambience around worlds I’ve already created. Ciderleaf Hollow can exist as a book and as a place you can wander through for an hour. Somewhere I’ve Never Been can be a coloring escape and a dreamy liminal space playing on your TV while you work. Neon Horizons can live on paper and become a synthwave drive from midnight to dawn.

    And somewhere along the way, I learned how to make all of this myself.

    I’m learning how to create the visuals, animate scenes, build loops, edit the videos, make thumbnails, work with music and ambience, and turn everything into something that actually feels like the world I imagined.

    That’s a skill I don’t have to keep paying someone else to provide.

    The first video costs time and learning. The next one costs less time. Eventually, you’ve built your own production system.

    When I look at The Lo-Fi Vibe Cafe now, I don’t see a failed YouTube channel.

    I see practice.

    The Lo-Fi Vibe Cafe YouTube channel, Crystal's original lo-fi music channel before creating The After Hours Dreamer Lo-Fi.
    Old: The Lo-Fi Vibe Cafe. What I used to think was another abandoned project.
    The After Hours Dreamer Lo-Fi YouTube channel featuring dreamy liminal, Ciderleaf Hollow, and synthwave music and ambience videos.
    New: The After Hours Dreamer Lo-Fi. Turns out I was learning.

    The Tiny Numbers Count Too

    The same thing has been happening in places I almost forgot about.

    Recently, I logged back into an old Benable account I hadn’t paid much attention to in a long time.

    Sitting there was $60.58 in payout-eligible commissions from recommendations I’d made over time.

    That one surprised me.

    Not because $60 suddenly changes my life, but because it was proof that something I’d experimented with years ago had actually worked.

    Then this week, I checked my Amazon Associates account.

    $0.40.

    Forty cents.

    And yes, I was excited about forty damn cents. šŸ˜‚

    Because behind that forty cents was something much more interesting: someone clicked one of my links, bought something, and a commission came back to me.

    The system worked.

    That’s why I want to document these numbers now, while they’re tiny.

    I’m showing you the $0.40 before I ever get to show you the $400.

    If this thing grows someday, I don’t want the beginning of the story to disappear.

    Maybe None of It Was Random

    For years, I looked at all these things as separate attempts.

    Pinterest. Affiliate marketing. Lo-fi videos. Digital products. Books. Blogging. Random creative ideas that grabbed my attention for a while before my brain wandered somewhere else.

    Every time I moved on to something new, I thought I was starting over.

    Now I’m starting to see the thread.

    I was learning how to create things.

    I was learning how to publish them.

    I was learning how people find things online.

    I was learning about links, traffic, search, audiences, branding, design, analytics, and all the boring little pieces nobody sees when they look at the finished product.

    Even my day job has been teaching me things I use here. I spend my days working with data, spotting patterns, solving problems, organizing processes, and figuring out why something isn’t working the way it’s supposed to.

    Then I clock out and somehow those same skills follow me into the dream.

    The projects changed.

    The dream didn’t.

    I wanted to create things I cared about. I wanted to share them with people. I wanted to build income that belonged to me. And eventually, I wanted to build a life with more freedom in it.

    Apparently, I’ve been working toward that for a lot longer than I realized.

    You Might Not Be Starting Over Either

    Maybe you’ve got your own graveyard of abandoned ideas.

    The Etsy shop you stopped working on. The YouTube channel with six videos. The blog you started three years ago. The business idea sitting in a notebook. The hobby you got obsessed with for six months and haven’t touched since.

    Maybe some of it really wasn’t for you.

    But maybe some of it wasn’t wasted either.

    Maybe it taught you something you’re going to need later.

    I don’t know where The After Hours Dreamer will be a year from now. I don’t know whether my nine books become ninety, whether forty cents becomes four hundred dollars, or whether this little blog ever becomes something big.

    That’s why I’m documenting it now.

    Not after I’ve figured everything out.

    Now.

    While the numbers are small.

    While I’m still learning.

    While I’m still building this thing after work, one finished thing at a time.

    Because if I’ve learned anything from looking backward lately, it’s this:

    Sometimes what looks like starting over is really just starting again with more experience.

    And that’s not the same thing at all. šŸŒ™